Jeremy Segal is a musician and sound engineer from Perth, Western Australia, now based in Berlin. He specialises in mixing independent and home-produced music projects.
Moving through affirmative country-rock, neo-psychedelia, and slow motion synth-pop, Thomas MacGregor's Blue Heaven is poignant, playful, and at times truly devastating. Thomas produced Blue Heaven in bedrooms and hotel rooms using a compelling palette of analog and digital sound sources — acoustic and electric guitars, sampled Casio keyboards, programmed drums and, on Training Wheels, vocals recorded through a built-in laptop mic.
Mastered by Dan O'Connor at Encoder Sound. Cover photo by Rory Lowe-McLoughlin.
Buckland's Broadcast To is charming electro-pop with a theatrical bent, at once gothic, sentimental, and retro-futuristic. For this record I worked directly with David’s Ableton sessions, tweaking synth parameters, layering drum samples, and re-amping electric guitars before diving into the mix proper.
Mastered by Becki Whitton. Cover art by India Devere.
No Caveat is the third EP by Didion's Bible, a band I had the thrill of playing in from its inception in 2017 until I moved to Berlin in 2023. This was recorded by Perth indie-rock legend Adem K. at his home studio, the Future Ranch, and mixed by me. As always, it was a pleasure making music with DB.
Mastered by Mike Jelinek. Cover photography by Howie Ng. Design by Daniel Veneklaas.
Welcome to the Ick is the one and only studio EP by Wound Honey, an indie-rock project led by prolific songwriter Ange T. The band recorded drums for this EP themselves, and we recorded everything else together at Tunafish Recording Company before I mixed the record in my home studio.
Mastered by Mike Jelinek. Cover art by Morgin Edwards.